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It might first interest you to know that the most common piece of outboard gear being used by our subscribers is Yamaha's SPX90. Needless to say, since the SPX90 was first introduced, many other manufacturers have responded with more powerful processors, processors with simultaneous effects, 16-bit processing, and more. The SPX1000 is Yamaha's answer to the competition. It is a very healthy processor, and one we're likely to see popping up in studios everywhere for some time. Most obvious of the features are extended sample time (5.8 seconds), true stereo processing, and simultaneous multiple effects. The long sample time translates into added features in many of the programs. In the FREEZE programs (the digital sampling programs), you have a maximum recording time of 5.8 seconds. Three types of FREEZE programs are available, and all three programs allow recording and overdubbing with variable playback pitch. Sample start and end points can be set for editing purposes. This function also makes it possible to set a start point at the end of the sample and the end point at the start of the sample and get the sample to play backwards. FREEZE 2 adds the ability to set a loop point in your sample for looped playback. FREEZE 3 is a stereo sampling program. Sample time is cut in half (2.9 seconds) to accommodate simultaneous sampling of both left and right channels. The extended sample time also affects the DELAY L,C,R program. This delay is a little different from most in that it includes a third channel, the center channel. Delay time for each channel is adjustable from.1 milliseconds to 5.2 seconds. There are two feedback delay parameters for this program, each adjustable up to 5.2 seconds. Each feedback delay has a gain control to set the amount of repeats to follow the initial repeat. All these parameters make for an exceptional delay program with numerous possibilities for special effects. The STEREO ECHO program also takes advantage of the extended sample time and offers left and right channel feedback delays of up to 2.6 seconds along with an initial delay for each channel of up to 2.6 seconds. The reverb programs include HALL, ROOM, VOCAL, PLATE, ECHO ROOM, GATE REVERB, REVERSE GATE, and 3 EARLY REFLECTION programs. There is more than enough diversity in these reverb programs to handle any reverb need. Reverb time can be adjusted as high at 480 seconds. That's 480 seconds, not milliseconds! Various other parameters give you ample control over reverb characteristics. All bases are covered in the reverb section. Modulation programs include your basic STEREO FLANGE, CHORUS, STEREO PHASING, TREMOLO, and SYMPHONIC. These are all very good sounding programs, each with a number of adjustable parameters for modifying the effect. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Two great pedals in a single stompbox. The GT-500 Effects Pedal from Fulltone is a discrete FET Hi-Gain Distortion and Overdrive Booster in one box. You could think of them as 2 separate pedals, or think of them as stages to be linked together for endless combinations. The Hi-Gain side has Volume, Distortion knobs, Bass, Mid, and Highs minipots. Its Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. Hard-clipped distortion-the way most guitar pedals achieve distortion-at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amplike, and has ridiculous amounts of sustain even at low volume. It does the great chunky low-string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The Fulltone GT500 contains 9 FETs, 2 Mosfets, and 1 Transistor with no opamps or clipping diodes used. What's special about the EQ? The Hi-Gain side has a discrete Inductor-Driven Midrange circuit-never been done in a pedal before. There's a wah-wah inductor inside the pedal that gives the Midrange control its ability to drastically increase or decrease the entire Low Mid, Mid, and Hi-Mid frequencies, to comical proportions. All this is done without any opamps-this has 100% discrete matched FETs. This Mid control mixed with a strong Bass and Treble control help give the Fulltone GT-500 the ability to dial in more variations than a simple tone control, which can only roll off the Highs. The Series Select Switch allows you to choose which pedal comes first (allowing you to instantly change the order of the 2 circuits). For example: A clean boost slamming into the front end a Distortion sounds way different than a Distortion followed by the clean boost, and when the EQs of the respective sides come into play, it's a wide-open canvas. Regardless of which side of the effects pedal is designated as first in line, you can still use each side by itself, completely independent of the other side. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

BATERIA ELECTRONICA ALESIS DM10 X KIT. (1.200 $$) Incluye: -1 Redoblante Pad de 12 Pulgadas. -1 tom Pad de 8 pulgadas. -1 tom Pad de 10 pulgadas. -2 granaderos Pads de 12 pulgadas. -1 Bombo Pad de 10 pulgadas. con su base. -1 Plato Hi-hat de 12 pulgadas con control por pedal. (pedal incluido) con su paral. -1 Plato Ride de 16 pulgadas (triple zona) con su paral. -2 Platos Crash de 14 pulgadas (doble zona) con sus parales. -1 Modulo DM10. -1 Juego de cables. -Manuales e Instrucciones de usuario. -Rack Cromado con todos sus accesorios de sujecion. !!ADICIONALMENTE INCLUIDOS EN LA VENTA!!: -1 Alfombra. -1 Silla de bateria. -1 Doble Pedal Tama Iron Cobra hp900 Power glide. -1 Par de Baquetas. Serious sizes, serious sound, and our finest hardware yet. The DM10 X Kit is a premium six-piece professional electronic drum set with 10" and 12" drum pads, 12", 14", and 16" cymbals, the top-of-the-line DM10 module and the best-in-class chrome-plated XRack. With an advanced sequencer and more than 1,000 sounds featuring Dynamic Articulation™ multi-sample technology, the DM10 X Kit will bring you professional capability in a kit that sounds as good as it looks. SERIOUS SETUP With the DM10 X Kit we've included a comprehensive set of large drum and cymbal pads, and an all-new XRack. The DM10 X Kit is designed to offer capabilities and features previously only available on kits costing thousands more. The DM10 X Kit features an expansive six-drum, four-cymbal configuration with sizes and spatial relationships that will feel natural to acoustic and electronic drummers alike: a 12-inch snare, two 10-inch toms, two 12-inch floor toms, a 12-inch hi-hat, a 16-inch, three-zone ride cymbal and two 14-inch crash cymbals. SERIOUS SUPPORT Designed with an emphasis on performance and adaptability, the DM10 X Kit’s all-new XRack is rugged, chrome-plated and features an ultra-solid four-post design. New Alesis quick-release clamps secure each pad in place and allow you to rearrange your setup in seconds without tools and without having to the rack apart. A few turns of a T-bolt is all it takes to release a clamp and move a pad. The DM10 X Kit’s snare pad comes with a separate, fully adjustable snare stand that allows you to place the snare pad precisely where you want it. SERIOUS SURFACES The DM10 X Kit also features Alesis’ acoustic-feeling RealHead pads in 10 and 12-inch sizes. The dual-zone pads feature real mylar drumheads and real triple-flanged counterhoops for the feel you demand. The snare and tom pads are dual zone, enabling you to perform rimshots, rim clicks or assign other sounds such as cymbals, gongs and cowbells on the tom rims. You can use virtually any single or double kick pedal with the RealHead Kick Pad, or split the DM10's kick input with a Y-cable and connect an optional second kick pad for the pedal feel you prefer. SERIOUS SMARTS At the core of the DM10 X Kit is the groundbreaking Alesis DM10 module. The DM10 hosts a built-in sequencer, metronome, top-panel mixer, and a variety of outputs. It also includes more than 1,000 uncompressed, sample-based sounds that were produced using Alesis’ proprietary Dynamic Articulation™ multi-sample technology. Not only does the DM10 deliver lightning-fast, uber-accurate tracking, the widest dynamic range of any module, incredibly drummer-friendly operation, a massive input section, but it also has the most realistic, natural sound set available in any drum module. Dig deeper into the DM10 module you'll find some of the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers' go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and a choice selection of classic drum machine and electronic percussion sounds that have fueled the biggest hit records. SERIOUS SAMPLES Discerning ears will notice that each sound is actually a series of different samples; multiple dynamic-level samples and articulations are all built in so as you play harder and softer, the drum or cymbal changes its timbre, not just its volume. This engineered realism is known as Dynamic Articulation™, an Alesis exclusive. You can play with or without reverb for different room sounds and enjoy a wide variety of rimshots, rim clicks and different stick-placement sounds on the cymbals. For example, a hi-hat’s sound depends on a number of factors: how open or closed the pedal is, how hard it is struck, and other variables resulting in 40 different sounds – plus foot chick and heel splash. Put simply, the DM10 X Kit has the most generous drum and cymbal pad configuration we’ve ever offered.

Double the drive with the Vox Duel Overdrive pedal. With two overdrive circuits based on Vox's Big Ben Overdrive pedal, the Duel Overdrive provides footswitchable access to two sounds from a trunk full of classic and modern tones. With separate gain, volume and tone controls, you can set the pedal up with two totally independent overdrive sounds to compliment a clean-bypassed tone. To make it even more flexible, Vox added an assignable low-end bass boost function for fat-bottomed overdrive tones. Add the Duel Overdrive to your existing pedal setup and benefit from an unmistakably "real" valve overdrive. A tube in a pedal? Pretty cool. The COOLTRON series of effect pedals use a 12AU7 preamp-type tube at low voltage to deliver the kind of tone that, until now, would have been impossible to achieve in a battery-powered pedal. Want to know how it all works? Normally, tubes are used at high voltages and this restricts their use in battery-powered devices such as guitar effects pedals. Historically, attempts have been made to use tubes at low voltages in what has been dubbed "starvation" mode, but these circuits don't allow the tube to function in an acceptable manner. The tube simply cannot be biased to a satisfactory operating condition. Plus, the necessary heater (filament) current is too high to deliver acceptable battery life. Imagine how annoying it would be to have to change batteries every ten minutes during a gig! Here's what makes the COOLTRON system tick. The COOLTRON circuit basically operates by using two very special signal paths. The first is the "servo circuit," which provides the right conditions between the plate of the tube and the grid. This achieves controllable, stable parameters for the tube and provides the correct operating conditions for the tube to function as it would if run at a higher voltage. The second circuit is a patented power supply that provides a low voltage, low current supply to the heater elements in the tube. Since the tube is now running at such a reduced supply level, the anode current is much smaller than normal. This means that the amount of heat required at the cathode to achieve sufficient cathode current emission is much smaller ” hence the ability to run the heaters at a lower level and for COOLTRON pedals to run for 16 hours on 4 x AA batteries! The COOLTRON system provides true tube sonic performance at very low voltage and at reduced heater current ” ideal for inclusion into guitar effects pedals. COOLTRON guitar effects pedals offer valuable tube type sonic performance. SPECIFICATIONS Input: 1 guitar input Output: 1 line output Controls: gain, tone, volume, bass boost Tube: 12AX7 Power: 4 x AA batteries allows 16 hours of operation Dimensions: 6.63" W x 6.12" H x 2.52" D Options: 9V AC adapter USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

BEHRINGER ULTRA SHIFTER/HARMONIST US600 Ultimate Pitch Shifter / Harmonist Effects Pedal The ultimate Pitch Shifter/Harmonist to shift single notes and chords or even create intelligent harmonies to your notes - at the touch of a footswitch Real Sound Modeling (RSM) combines state-of-the-art DSP technology with sophisticated algorithms to emulate real acoustic environmentsThis BEHRINGER product has been designed to compete head to head with leading products on the market Take off with incredible Tremolo Arm/Flutter effects to bend single notes up to +/-2 octaves or simulate the movement of the tremolo barWide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band Dedicated Mode, Pitch, HR Key, Delay time/speed and Balance controls for awesome sound shaping Blue status LED for effect on/off and battery check Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Using the US600 ULTRA SHIFTER/HARMONIST is like having another guitar player in your band. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to ±2 octaves. Astounding Sounds Tremolo bars add a handsome shimmer to your guitar sound by detuning your strings and then returning them to pitch. And the sound of two guitars playing in harmony adds a soaring, heroic touch to an ordinary lead. The US600 is built to take the place of a tremolo bar AND a second guitarist. Its Real Sound Modeling (RSM) technology produces sophisticated algorithms that deliver the delicate harmonic overtones that are critical to creating realistic harmonies and transpositions. It's Easy The US600 stomp box offers 5 totally different-sounding Modes: Tremolo Bar, Flutter, Detune, Harmonist and Pitch Shifter. Pitch Shift and Tremolo Bar pitch can be shifted from 0 to 2 octaves; Harmonist pitch can be tweaked to track 3rds, 4ths, 5ths, 6ths, octaves or double octaves. There's a separate 10-step Key select control as well as Delay/Speed control and Balance to dial in how much effect you want to mix with a dry signal. A brilliant blue LED indicates power status and battery condition. The footswitch is ultra-strong to last through years of gigging. And in bypass mode, it preserves signal integrity by taking all pedal circuitry out of your chain. The US600 pedal is designed to give you the utmost flexibility, running on our BEHRINGER PSU-SB DC power supply or a typical 9 V battery. Bend It, Shape It! Plug into the US600 and take your guitar places it has never been. Now even a solitary guitarist whose axe sports a steadfast bridge can harness the power of harmony and tremolo! Amazon.com Using the US600 ULTRA SHIFTER/HARMONIST is like having another guitar player in your band. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to +/-2 octaves. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to +/-2 octaves. Click to enlarge. Selectable key for intelligent harmonies. Add Behringer's PSU-SB power supply or go with a 9 volt battery. Astounding Sounds Tremolo bars add a handsome shimmer to your guitar sound by detuning your strings and then returning them to pitch. And the sound of two guitars playing in harmony adds a soaring, heroic touch to an ordinary lead. The US600 is built to take the place of a tremolo bar AND a second guitarist. Its Real Sound Modeling (RSM) technology produces sophisticated algorithms that deliver the delicate harmonic overtones that are critical to creating realistic harmonies and transpositions. Versatile Sounds The US600 stomp box offers 5 totally different-sounding modes: Pitch Shifter: Adds a detuned signal to the original signal with a maximum of 2 octaves above or below. Harmonist: Adds harmonies to the original signal with a maximum of 2 octaves above or below. Detune: Adds a subtle detuned signal to the original signal with a maximum of 30 cents above or below. Tremolo Bar: Detunes the input signal with a maximum of 2 octaves above or below similar to the effect created with a guitar vibrato arm. Flutter: Detunes the input signal periodically with a maximum of 1 octave above or below similar to the effect created with a fast moving guitar vibrato arm. Pitch Shift and Tremolo Bar pitch can be shifted from 0 to 2 octaves; Harmonist pitch can be tweaked to track 3rds, 4ths, 5ths, 6ths, octaves or double octaves. There's a separate 10-step Key select control for ensuring the harmonies fit the key in which you're playing, as well as Delay/Speed control and Balance to dial in how much effect you want to mix with a dry signal. Dependable Operation A brilliant blue LED indicates power status and battery condition. The footswitch is ultra-strong to last through years of gigging. And in bypass mode, it preserves signal integrity by taking all pedal circuitry out of your chain. The US600 pedal is designed to give you the utmost flexibility, running on Behringer's PSU-SB DC power supply or a typical 9 V battery. Bend It, Shape It Plug into the US600 and take your guitar places it has never been. Now even a solitary guitarist whose axe sports a steadfast bridge can harness the power of harmony and tremolo! What's in the Box Behringer US600 Pedal, User's Manual

The Essential Chorus Pedal The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave. BOSS CH-1 Super Chorus Effects Pedal at a Glance: Classic chorus tones - from clean and shimmering to lush and dizzying Two outputs and a depth control, for a rich and tweakable stereo chorus sound BOSS guitar pedals: rugged, reliable, more than 10,000,000 sold Classic chorus tones - from clean and shimmering to lush and dizzying No guitar or keyboard rig is complete without a high-quality chorus effect - and with the CH-1 Super Chorus, you'll be armed to dial in nearly every classic chorus sound. You can use the pedal's four controls - effect level, EQ, rate, and depth - to sculpt the feel and dimension of your sound until it's just right. The BOSS CH-1 can take you everywhere from shimmering clean tones to lush ambiences to boat-rocking, dizzying swirls. Two outputs and a depth control, for a rich and tweakable stereo chorus sound Take advantage of the BOSS CH-1 Super Chorus's two outputs for an incredible stereo chorus effect - it's a great way to give your guitar or keyboard motion, both live onstage and in the studio. BOSS guitar pedals: rugged, reliable, more than 10,000,000 sold More than 10,000,000 BOSS guitar and bass effects pedals have been sold to players worldwide, including such top players as Yngie Malmsteen, Dave Navarro, John Petrucci, Marty Friedman, Steve Vai, and Joe Satriani. You've also no doubt heard BOSS pedals recorded and onstage beneath the feet of bands of all genres, including Muse, The Killers, and Silversun Pickups. The reason for the success is clear: not only do BOSS effects pedals sound great - but they're also built like tanks and designed with serious use in mind. Each BOSS pedal is housed in a stomp-ready metal box and features a rubberized stomp area and base, to help safeguard against slipping. So, whether you're a fresh-out-of-the-gate beginner, an axe-veteran designing your dream pedalboard, or anywhere in between, you can depend on BOSS's proven line of pedals to craft your tone. BOSS CH-1 Super Chorus Effects Pedal Features: Effect Level, EQ, Rate, and Depth controls Input Impedance: 1 Mohms Output Impedance: 10 Kohms or greater Residual Noise Level: -95dBu (IHF-A, Typ.) Connectors: Input Jack, Output Jack A (mono)/ B, AC Adapter Jack (DC 9V) Power Supply: 9V DC, either a Dry Battery 9V type or an AC Adapter Current Draw: 22 mA (DC 9V) Accessories: Dry Battery 9V type Optional AC Adapter - Roland PSA-120S 2-7/8" W x 5-1/8" D x 2-3/8" H Weight: 15 oz The BOSS CH-1 Super Chorus infuses your sound with classic chorus effects! USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

The COOLTRON Snake Charmer Compressor pedal uses a 12AU7 preamp-type tube at low voltage to deliver the kind of tone that, until now, would have been impossible to achieve in a battery-powered pedal. Tame your tone with the Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmer's compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant. There's also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer effect pedal is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal. Want to know how it all works? Normally, tubes are used at high voltages and this restricts their use in battery-powered devices such as guitar effects pedals. Historically, attempts have been made to use tubes at low voltages in what has been dubbed "starvation" mode, but these circuits don't allow the tube to function in an acceptable manner. The tube simply cannot be biased to a satisfactory operating condition. Plus, the necessary heater (filament) current is too high to deliver acceptable battery life. Imagine how annoying it would be to have to change batteries every ten minutes during a gig! Here's what makes the Vox COOLTRON system tick. The COOLTRON circuit basically operates by using two very special signal paths. The first is the servo circuit, which provides the right conditions between the plate of the tube and the grid. This achieves controllable, stable parameters for the tube and provides the correct operating conditions for the tube to function as it would if run at a higher voltage. The second circuit is a patented power supply that provides a low voltage, low current supply to the heater elements in the tube. Since the tube is now running at such a reduced supply level, the anode current is much smaller than normal. This means that the amount of heat required at the cathode to achieve sufficient cathode current emission is much smaller ” hence the ability to run the heaters at a lower level and for COOLTRON guitar pedals to run for 16 hours on 4 x AA batteries! The COOLTRON system provides true tube sonic performance at very low voltage and at reduced heater current ” ideal for inclusion into the COOLTRON Snake Charmer Compressor pedal. SPECIFICATIONS Connection: Input: x1 (guitar input), Output: x1 (line output) Input / Output Impedance: 830 k-ohm / 4 k-ohm Tube: 12AU7 (ECC82) Power Supply: Four AA alkaline batteries or DC9V AC adapter Battery Life: Approx. 18 hours Current Consumption: 95 mA Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63" (W) x 6.12" (D) x 2.52" (H) Weight: 1,007 g USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Get the most from your Line 6 amp and POD with FBV Shortboard Mk1 foot controller! FBV Shortboard Mk1 isn’t your average foot controller. It’s a full-on remote control that keeps you at the foot of the stage instead of tied to the front of your Line 6 amp or POD. It offers all the classic advantages you expect from a Line 6 foot controller, including rock-solid channel switches, a rugged wah/volume pedal and an oversized backlit display, but it’s also full of surprises. The steel footswitches give you total control over your tone. Dedicated footswitches let you change, scroll and select presets with uncompromised speed, add or remove effects in an instant, synchronize all your time-based effects with Tap Tempo, and more! Load up to 64 presets in the 4 banks. Adding individual or simultaneous effects on top of each preset allows for on-the-fly colorization and customization of your tones. An added bonus: the well-spaced footswitches are conveniently laid out so that you’re not stepping on two at once (unless you want to)! The burly, full-sized pedal feels solid under your foot and features plenty of grip. Click the toe to volley back and forth between volume and wah-wah control. (Adding an expression pedal provides dedicated volume control.) Oversized and backlit, the LCD is big, bright and easy to read. It shows you everything you need to know including preset. FBV Shortboard Mk1 also features a USB jack that can be used for upgrading the firmware. Perfectly paired with Spider IV FBV Shortboard Mk1 provides complete, hands-free control of the looper, pitch-shifter and other on-board effects. FBV Shortboard Mk1 is compatible with most Line 6 amplifiers and POD processors. Compatible With: Spider Valve, Spider Valve MKII, Spider II, Spider III, Spider Jam, Spider IV, Flextone III, Vetta, Vetta II, HD147, POD 2.0, POD XT, POD XT Pro, POD X3, POD X3 Pro, Bass POD XT, LowDown, POD HD NOT compatible with: Ax212â„¢, Flextoneâ„¢ I, II or HD, POD® Pro, Bass POD®, Bass POD® Pro and Spider 1 *FBV Shortboard is not compatible with with Spider II 15 or Spider III 15. **FBV Shortboard is only compatible with POD 2.0 units with pedal jacks labelled "FBV Pedal." It is not compatible with older units which have pedal jacks labelled simply "Pedal." ****FBV Shortboard Mark 1 is not officially supported for Spider V, but it will not damage the amp. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO

**** NUEVO ***** 90 Manzanas vrds Impact Multiboom Light Stand And Reflector Holder - 13' (4m) #90 This is an Impact Convertible Boom Arm/Light Stand. As a light stand, it can support a small or medium light head to a height of 13' (4 m). Raise the second section completely, click, and it is a boom stand. As a boom, it can hold a small light head to an extension of almost 3' from the center of the stand. It is a reflector holder by means of its two clips, which can support an Impact, Flexfill, or Photoflex light disc as large as 60". A hole at the end of the arm allows an optional counterweight to be hung, for greater stability. #90 T

Audifonos Airpods Earpods Inalambricos i11 TWS Noise Cancelation Pagos en Banesco, BOD, Mercantil, Venezuela y Pago Movil Retiro personal en nuestra sede. TIENDA FISICA Envios por DOMESA ZOOM Y TEALCA Wireless Bluetooth 5.0 Earbuds TWS Headset Headphone with Quality Auto-pairing Hand-free Earbuds with 300mah charging box Feature: 1. Advanced Bluetooth 5.0: Bluetooth 5.0 technology provides a stable wireless connection to your smartphones and other Bluetooth devices. There are no wires being tangled and earbuds can fast pair with stable connection up to 10m Bluetooth range or more. 2.Voice Reminder: Remind phone number, the last call back, all intelligent Chinese and English voice calls, boot, couple, shut down the phone power will be low voice calls; 3. One to two connections: can be connected to two cell phones at the same time 4. Auto connection: Bluetooth headset connected to the phone after the shutdown, and then open the Bluetooth headset will connect back to the phone automatically, more convenient; 6. Intelligent compatibility: support all Bluetooth mobile phone, tablet, notebook, sing it, music, movies, etc., universal all mobile phone Specification: Bluetooth Chip / Version: V5.0+EDR Jerry 6916 Speaker impedance: fmm 32O ± 15% Microphone sensitivity: +-40DB Wireless frequency: 2.405GHZ-2.480GHZ Charging box capacity: 300mah Headphone battery capacity: 35 mAh Working temperature: -10 -55 °C Power: DC5V Material: PC+ABS Supported file formats: A2DP, AVRCP, HSP, HFP Transmission power: CLASS 2 Wireless distance: 10M or more Play time: 3 hours (charge box can charge the headset 5 times) Charging time: 1-2 hours Standby time: 100 hours Package: 2x headphones 1x charging bin 1x charging cable 1x user manual

E-CMOS AS19-H1G 18+1 Channel Voltage Buffers for TFT LCD. The AS19-H1G is an 18+1 channel voltage buffer that buffers reference voltage for gamma correction in a thin film transistor liquid crystal display (TFT LCD). This device AS19-H1G incorporating a Vcom amplifier circuits, four rail to rail buffer amplifier circuits (the highest two stage and lowest two stage) and 14 buffer amplifiers circuits. The AS19-H1G is available in a space saving 48-pin TQFP package, and the operating temperature is from –20'C to +85'C. It is suitable for TFT-LCD Reference Driver.

EL PRECIO PUBLICADO ES POR 2 UNIDADES TAMBIEN VENDEMOS POR UNIDAD PREGUNTE SI TIENE ALGUNA DUDA SOMOS TIENDA E-CMOS AS19-H1G 18+1 Channel Voltage Buffers for TFT LCD. The AS19-H1G is an 18+1 channel voltage buffer that buffers reference voltage for gamma correction in a thin film transistor liquid crystal display (TFT LCD). This device AS19-H1G incorporating a Vcom amplifier circuits, four rail to rail buffer amplifier circuits (the highest two stage and lowest two stage) and 14 buffer amplifiers circuits. The AS19-H1G is available in a space saving 48-pin TQFP package, and the operating temperature is from –20'C to +85'C. It is suitable for TFT-LCD Reference Driver.

MPX 500 multi-effects processor costs twice as much as Lexicon's entry-level MPX 100. That may seem like quite a price vault, but keep in mind that this unit costs only half as much as the flagship MPX 1, making it attractive to those who yearn for more features and programmability yet hesitate to drop more than a grand on an effects processor. Despite its moderate price, the MPX 500 is powered by Lexicon's proprietary Lexichip (the same chip used in the costlier MPX- and PCM-series effects processors) and boasts 24-bit digital converters and 24-bit internal processing. Additionally, S/PDIF digital inputs and outputs let you connect the unit directly to digital mixers, hard disk recorders, and other digital devices, bypassing the converters altogether. Rather than taking the every-effect-imaginable-and-then-some approach common to many multi-effects units, the MPX 500 offers a maximum of two simultaneous effects that are configurable in a variety of useful ways. It also provides fairly extensive program-editing capabilities, including four dedicated Edit knobs for near-instantaneous tweaking. The emphasis is clearly on usable presets, with 240 preset programs that need little or no tweaking and cover a wide variety of effects-an important feature when there are only 30 user-program memory locations. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

The ND-1 Nova Delay raises the bar for guitar effect pedals and redefines what it means to be "state-of-the-art." It's built upon the legacy and knowledge of TC's world-renowned TC 2290 Dynamic Digital Delay. With 6 different stereo delay types and the option to store up to 9 presets customizable by an array of style parameters ranging from vintage tape to digital delay. This effect pedal easily serves all delay requirements of modern guitar players who seek unique sounds. Each of these types can be modified with a delay style - a unique feature of ND-1 Nova Delay that allows you to mix and match your delay type and style infinitely. With the ND-1 Nova Delay, both single delay and dual delay lines can be applied to any type and style using the tap tempo switch or delay time knob to determine the delay time that ranges from 1 to 2290 ms. Three different types of modulation (light, medium and heavy) can be applied to any of the delay types - a feature originating from the TC 2290 Dynamic Digital Delay processor. The all-new Audio Tapping technology enables you to set the tempo of the delay by playing a rhythm into the pedal while holding down the tap tempo switch. You can now set the tempo of the delay using your most important asset: Your playing. Other great ND-1 Nova Delay features include the pedal's ability to choose between ms (milliseconds) and bpm (beats per minute) readout, decide if you want spillover on individual settings and turn global tempo - where tap tempo determines delay time on user presets - on and off. FEATURES Uncompromised studio-quality TC effects 6 stereo delay types: line, dynamic, reverse, ping-pong, pan, and slap back Style parameters for extensive tweaking Stores up to 9 presets Two switchable settings: manual and preset Up to 2290 ms delay time Audio Tapping ” audio-generated tap tempo Modulated delay Delay spillover DC adapter sold separately SPECIFICATIONS Tech Specs Analog Inputs Connectors: 1/4" phone jacks w. monosense Impedance:1 MOhm Max. Input Level: TBD dBu A to D Conversion: 24 bit, 128 x oversampling bitstream A to D Delay: TBD Dynamic Range: 105 dB typ, 20 Hz - 20 kHz THD typ. Frequency Response: +0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz Crosstalk: Analog Outputs Connectors: 1/4" phone jack, balanced Impedance Balanced / Unbalanced, 40 Ohm Level: TBD dBu D to A Conversion: 24 bit, 128 x oversampling bitstream D to A Delay: TBD Dynamic Range: 105 dB yp, 20 Hz to 20 kHz THD typ: Frequency Response: +0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz Crosstalk: EMC Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B Enviroment Operating Temperature: 32 F to 122 F (0 C to 50 C) Storage Temperature: -22 F to 167 F (-30 C to 70 C) Humidity: Max. 90 % non-condensing General Finish: Anodized aluminum front Plated and painted steel end caps Dimensions: 12,5 x 12,5 cm Mains Voltag: 100 to 240 VAC, 50 to 60 Hz (auto-select) AC wall adapte USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

Controls: Level, Low, High, Drive From the manual: "The FX102 is designed to add the right amount of distortion to a guitar when it is already running into a distorted amplifier. By distorting the amp and kicking the FX102 on during solos or extra distorted songs, the FX102 adds more character without becoming harsh. The FX102's haromonics stand out, and EQ lets you achieve many different tones that you could only get with two distortions. From tube-like screams to rock-a-billy twang, it's all there."

Xotic Effects AC Booster Overdrive Guitar Effects Pedal OVERVIEW Super wide range control that makes you rethink the definition of "Booster." The Xotic AC Booster Overdrive Guitar Effects Pedal creates a warm and pleasant sound by using the finest quality parts available. The AC Booster is a natural sounding "overdrive" pedal. Not "heavy" distortion, but a sweet thick overdrive with an "open" non-compressed feel. It's capable of a 20dB+ boost with an adjustable ±15dB two band active EQ, which adds a wide range of harmonic content to your ideal sound. The super wide range gain control allows for enough gain for it to work as a distorion pedal when turned all the way up. Equipped with not only boost Gain but also Treble and Bass controls that allow you to adjust your sound anyway you like. The AC booster features true bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery. FEATURES Great sounding gain with enough range to overdrive Boost gain along with Treble and Bass controls True bypass for eliminating any signal interference Get great-sounding overdrive. Order today. SPECIFICATIONS Dimensions (W/D/H): 4.39" x 2.38" x 1.98" (112mm X 60mm X 50mm) Weight: 0.6 lbs. (280g) True Bypass Switching Power Consumption: 9VDC/6mA Battery Type: 9VDC (006P) x 1 AC Adapter (Optional): 9VDC, Negative Tips (Regulated recommended) Input Impedance: 500k ohm (min) Output Impedance: 10k ohm USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

TC Electronic Nova System TC Electronic Nova-System demo by Søren Andersen TC Electronic Nova System Guitar Effects Floor Processor at a Glance: Floor-based solution Analog drive circuit Top-notch effects Floor-based solution Nova System is the complete, floor-based effects solution for the dedicated guitar player who knows quality when he sees it. Its unique inclusion of an all-analog programmable distortion/overdrive section under preset and expression control makes it the perfect choice whether you want to trim down your rack setup, step up from your pedal patchwork or simply just want the ultimate combination of operational simplicity and audio superiority. Add to this an array of effects taken straight from the king of floor-based processors; G-System and you have top-notch compression, EQ, noise gate, modulation, pitch, delay and reverb right at your feet. All you need is a guitar and an amp and you're good to go. Analog drive circuit What makes Nova System so remarkably different is the Nova Drive Technology (NDT) - a unique, new drive and distortion circuit that gets you the best of both worlds: World-class analog distortion and overdrive with digital control. This is the real deal - no modeling. While the NDT is 100 percent analog and physically separated from the digital effects, its control potmeters are digital. This way you can tweak, store and recall as many drive settings as you want - you can even hook up an expression pedal and control the amount of distortion in real-time. Its wide gain range covers your every need from light breakup to heavy distortion. Top-notch effects Equipped with TC branded quality effects from delays and reverbs to compressor, EQ and modulation, Nova System is the obvious all-in-one solution for any guitarist who wants setup simplicity without sacrificing tonal fidelity. All neatly programmable and storable in 60 user presets. Its 30 factory presets give you a demonstration of just what this unit provides; great sound quality and an immense versatility of effects combinations - all designed to get you started right out of the box. TC Electronic Nova System Guitar Effects Floor Processor Features: Floor-based guitar multi-effects pedalboard Effects all analog, digitally controlled (no modeling) 28 effects set up in seven blocks G-System effects: distortion/overdrive, compression, EQ, noise gate, modulation, pitch, delay, and reverb 30 factory presets, 60 user presets Two footswitch layouts: pedal and preset Optional G-switch USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Completely gear-driven design for slip-free, accurate, and repeatable focus movement This Follow Focus Integrated with A/B Hard Stops which have easy begin/end setups for fast repeatable racking between two points, and make focusing lenses that have no hard stops (such as Canon EF lenses) much easier. Mounts onto 15 mm Rod Support (60mm center to center difference). Gear drive can be mounted from both sides The white mark ring is made of magnet material. It can be detached or attached very easily and quickly on metal-made follow focus. Heavy-duty aluminum construction Enables use of standard accessories for the 15mm rod system May be used directly with a camera or in conjunction with a DSLR rig 1/4" & 3/8" threads on the bottom to mount to any tripod or rig

Get all of your BOSS gear to the gig safely and in style. The BOSS-BAG-L2 is road-ready and designed to provide great protection for your BOSS gear. It has two zipper pouches on the front, and one net pouch inside to hold all your extra cables and power supply. This durable, lightweight BOSS carrying bag can hold the RC-300, GT-100, GT-10, GT-10B, GT-8, GT-Pro, GT-6 and GT-6B Effects Processors (or similar). USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO

Sintetizador M-Audio Venom como nuevo Muy poco uso En su caja con todos sus accesorios 250 VERDES Trabajo con Banco Mercantil al promedio y/o zelle en verdes NO ACEPTO EFECTIVO DE NINGUNA MONEDA Entrega en persona en la estacion metro Chacao y La California Se realizan envios siempre y cuando el comprador asuma el riesgo que ello implica MAS DE DIEZ AÑOS COMO MIEMBRO DE MERCADO LIBRE CON 99.9% DE REPUTACION POSITIVA EN MAS DE 300 TRANSACCIONES DE COMPRA VENTA SIN EMBARGO POR POCA ACTIVIDAD RECIENTE NO SE VE REFLEJADA EN LA REPUTACION cualquier duda pregunte con confianza Descripcion y especificaciones en ingles: 12-Voice Virtual Analog Synthesizer M-Audio Venom The M-Audio Venom 49-key synthesizer from Avid combines the character of classic analog synths with modern digital processing to deliver an aggressive, infectious new sound. Whet your appetite with the included presets, and then sink your teeth into creating original sounds—from atmospheric and subtle, to angry and downright nasty. Easily tweak parameters from the intuitive top-panel interface, or explore endless sound design and configuration possibilities with the included software editor. Perform bass lines, leads, and more with a full-size keyboard designed to satisfy serious players. You can even use Venom as an audio interface with Pro Tools and other music software—forming a powerful production machine to take your music in dangerous new directions. M-AUDIO VENOM AT A GLANCE Unique, aggressive new sound—combines the warmth of vintage keyboards with modern digital processing to deliver a fresh sonic signature Start playing right out of the box—includes 512 single-sound patches and 256 layered patches Endless sound design possibilities—use the intuitive real-time performance controls plus software editor to sculpt your sound Great playability—features a 49-key, full-size, synth-action keyboard 4 multitimbral parts—easily perform multi-part sequences that include drums, bass, synth parts, and more Ready for the stage and studio—Pro Tools compatible USB audio/MIDI interface means you can use the studio-standard DAW platform with Venom Top Features Venom offers a unique, aggressive sound that stands apart from the pack and is sure to inspire creativity. It combines intuitive hands-on controls with a comprehensive feature set—forming a powerful synth that will help you take music in wild new directions. Top features include: 49-key, full-size, synth-action keyboard 12-voice polyphony, each voice including: 3 oscillators with 41 waveforms and 53 drum sounds sampled from vintage analog synths, FM digital synths, and drum machines Pulse-width modulation, sync, FM, and ring modulation Resonant multimode filter with tube saturation limiting > 12 dB/octave (2-pole) low pass > 12 dB/octave (2-pole) band pass > 12 dB/octave (2-pole) high pass > 24 dB/octave (4-pole) low pass > 24 dB/octave (4-pole) band pass 24 dB/octave (4-pole) high pass 3 LFOs with selectable sample-and-hold 3 AHDSR envelopes 16 modulation routes 4-part multitimbral operation with independent MIDI-syncable phrase sequencers 512 onboard Single patches 256 onboard Multi (layered) patches 2 global bus effects Reverb, Delay, Chorus, Flanger, Phaser 1 insert effect per multitimbral part (4 total) Compression, EQ, Distortion, Bit Reduction, Decimation Classic arpeggiator with up, down, and alternating patterns Tap-tempo and manual BPM control from top panel Built-in USB 2.0 audio/MIDI interface (USB 1.1 backward compatible) 2 x 2 24-bit, 44.1 kHz operation Mic, instrument, and stereo line level inputs route to DAW Synth sounds route to DAW DAW audio output mixes into main outputs Stereo main audio outputs (1/4" TS) Stereo headphone output (1/4" TRS) Master volume knob; instrument and mic gain knobs MIDI In and MIDI Out (5-pin DIN) Large custom LCD 4 rotary encoders and 1 button for performance control and editing Dual-function octave up/down and transpose controls Assignable pitch bend and modulation wheels Sustain (1/4" TS) and expression (1/4" TRS) pedal inputs Included Vyzex Venom software editor Arrange sounds into banks, rename patches, and save backups Patch collider feature mashes up multiple patches to create new hybrid sounds 16-cell modulation matrix offers comprehensive routing configurations We're Avid From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listening to, most watched, and most loved media in the world. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen. The personal audio and video treasures that people make at home to preserve their favorite moments in life. Our innovative digital audio and video solutions continue to revolutionize the art of creative storytelling, and have earned us hundreds of awards, including two Oscar statuettes, a Grammy, and 14 Emmys. Minimum System Requirements Windows / PC Venom Audio/MIDI USB Driver Windows XP 32-bit (SP3)*, Windows Vista 32/64 (SP2), or Windows 7 32/64 1.8 GHz** multi-core processor Vyzex Venom Editor/Librarian Windows XP, Vista, or Windows 7 P4 equivalent processor 32-bit color graphics 1024x800 or larger display Mac Venom Audio/MIDI USB Driver Mac OS X 10.5.8 or 10.6.2 1.8 GHz* multi-core processor Vyzex Venom Editor/Librarian OS X 10.4, 10.5, or 10.6 PowerPC G5 or Intel processor 1024x800 or larger display * Home and Professional Edition only. Windows Media Center Edition is not supported. ** CPU may be higher for laptops. Avid suggests you also check the minimum system requirements for your software, as they may be greater than the above. Compatibility MME ASIO Core Audio / Core MIDI Compatible with Pro Tools M-Powered 8 or higher Compatible with Pro Tools 9 or higher Specifications Line Outputs* Max output level +6 dBV SNR and DF -99 dB / 99 dB THD+N +/- 0.2 dB Crosstalk 90 dB Line Inputs Max. input level 2.1 dBV SNR and DR -96dB / 96 dB THD+N -89 dB Frequency response +/- 0.2 dB Crosstalk -90 dB Headphone Outputs (into 32R)* Max output power 33 mW @ -88 THD SNR and DR -98 dB / 98 dB Frequency response +/- 0.2dB Crosstalk -60 dB Microphone Input at Min. Gain, No Pad (unless noted differently) Max. input level -2.2 dBu SNR -96 dB -75 dB DR 96 dB 75 dB THD+N -89 dB Frequency response +/- 0.2 dB Gain range 35 dB Input impedance 5.0k ohms Phantom power N/A Instrument Input at Min. Gain, No Pad (unless noted differently) Max. input level +10 dB -95 dB DR 95 dB 83 dB THD+N -88 dB Frequency response +/- 0.2 dB Gain range 35 dB Input impedance 1M ohms * This device is capable of outputting +12 dBV on the line outputs and 66 mW on the headphones. At these levels, the output noise performance will increase by 6dB. The rated output specs (+6 dBV, 33 mW) reflect what is capable with only USB as the source..

Boss DD-20 Giga Delay Digital Delay Pedal Digital Delay Pedal with 11 Delay Modes and up to 23 Seconds of Delay Up to 23 Seconds of Delay! The BOSS DD-20 Giga Delay offers more user memory and the longest delay of any effect pedal: up to 23 seconds! Delay time can be quickly set using the push-button knob or via tap tempo. With a choice of 11 modes, including new Smooth and Twist modes and sound-on-sound recording, the DD-20 Twin Pedal raises the bar for delay effects. BOSS DD-20 Giga Delay at a Glance: 23 seconds of pro-quality delay New Smooth and Twist modes 23 seconds of pro-quality delay With up to 23 seconds of delay, the DD-20 easily outshines the competition and can even double as a sound-on-sound pedal. Delay time can be adjusted via tap tempo or using a knob, which also features a push function to set the delay range more quickly. The DD-20 provides 11 delay modes covering everything from analog and tape delay to reverse delay and more. The DD-20's Memory function makes it possible to change delay modes seamlessly. New Smooth and Twist modes The DD-20 also introduces two all-new delay effects that are sure to blow some minds. Twist creates wild delay effects similar to the over-the-top manipulation of an analog tape echo, while Smooth creates ultra-smooth delay effects. The BOSS DD-20 is a pedal no guitarist should be without! BOSS DD-20 Giga Delay Features: Up to 23 seconds of delay 11 delay modes including classic tape delay and sound-on-sound recording New Smooth and Twist modes for subtle or radical delay effects Memory function for changing delay modes seamlessly New push-button knob for setting delay time in fine or coarse adjustments USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

M-Audio Octane 8-channel Microphone/Instrument Preamp and A/D Converter with ADAT Lightpipe Expand The Use of Your DAW! The 8-channel Octane preamp from M-Audio is specifically designed to enhance the front end of any multitrack digital recording system. Its award-winning M-Audio preamp technology delivers pristine digital signals to any Lightpipe-compatible devices such as hard disk recorders and digital mixers. Octane is ideal for miking drum kits or bands-and the two mic/instrument channels are great for guitar, bass and other instruments. M-S matrix encoding found in the Octane lets you employ stereo miking techniques previously available only in pro studios. Octane even has M-Audio analog preamp (direct) outs for each channel, making it the perfect upgrade for any digital audio interface or mixer. Word clock also means that you can sync multiple Octanes for as many channels as you need as your studio grows. M-Audio Octane Features: 8 mic preamp channels, 2 w/instrument inputs 8 line inputs ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout 3-segment LEDs 20dB pad phantom power with indicator (groups 1-4, 5-8) 2 channels are mic/instr preamps (front-panel 1/4" TS) ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout selectable sample rate (44.1k and 48k) and external sync word clock I/O (75-ohm BNC) for synchronization to other digital devices line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control phase reverse switches on even channels low-cut filter on channel 1 (-12dB/oct @ 80Hz) OVERVIEW High-octane preamplification with all the versatility you need! The M-Audio Octane 8-Channel Mic Preamp with ADAT Lightpipe adds connectivity and studio-quality preamps to your recording rig. Excellent for input-hungry miking applications. 2 mic/instrument channels provide input for guitars, basses, keyboards, and other instruments. Enables sophisticated stereo miking. Analog preamp direct outputs on every channel. ADAT lightpipe output. Word clock lets you sync multiple units. FEATURES 2 channels with mic/instrument preamps (front-panel 1/4") ADAT Lightpipe output (TOSlink) 24-bit audio resolution Selectable sample rate (44.1k and 48k) and external sync Word clock I/O (75-ohm BNC) for synchronization to other digital devices Line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control Phase reverse switches on even channels Low-cut filter on channel 1 (-12dB/oct @ 80Hz) 8 channels, each with: XLR mic input 1/4" TRS line input 1/4" preamp out 3-segment LEDs 20dB pad Phantom power with indicator (groups 1-4, 5-8) SPECIFICATIONS Mic Inputs Variable Gain: 50dB Frequency Response: 20-20kHz, +/- 0.11dB; mid gain Signal-to-Noise Ratio: 120dB, A-weighted; mid gain Dynamic Range: 120dB, A-weighted; mid gain THD+N: 0.00041% -107dB, 1dB below clipping, 22Hz-22kHz; mid gain EIA Noise Rating: -129dBu @ max gain, 600 ohms, 22Hz-22 kHz (unweighted) Input Impedance: 2.85k ohms, no pad; 3.600k ohms, pad engaged Instrument Inputs Input Impedance: 3M ohms Variable Gain: 44dB Frequency Response: 20Hz-20kHz, +/- 0.03dB; mid gain Signal-to-Noise Ratio: 133dB, A-weighted; mid gain Dynamic Range: 133dB, A-weighted; mid gain THD+N: 0.0018% -95dB, 1 dB below clipping, 22Hz-22kHz; mid gain System Throughput Gain: 6dB to 50dB (balanced out); 0dB to 44dB (unbalanced out) Line Inputs Line Input Impedance: 20kOhms (balanced), 13.3k ohms (unbalanced) Frequency Response: 20Hz-20kHz, +/- 0.04dB Signal-to-Noise Ratio: 110dB, A-weighted Dynamic Range: 110dB, A-weighted THD+N: 0.00067% -103dB, -1dBFS, 22Hz-22kHz Additional Features Maximum Rated Analog Output (Digital Clip): +26 dBu (balanced), +20 dBu (unbalanced) Output Impedance: 600 ohms (balanced) M/S matrix: L=M+S/3 and R=M”S/3 Digital Clip Level at Line Inputs: +20dBu Channel Quasi-Peak Level Indicators: Light 3dB, 10dB and 20dB below digital clip Word Clock Range (Switchable): 44.1kHz, 48kHz and external Word Clock Slave Sync Range: 33kHz to 59kHz Word Clock Impedance: 75 ohms Power: 18 VAC (16.5 VAC minimum) @ 3.5A inline power adapter USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

Product Description Whether you're looking for a sweet lunar breeze or the roar of an interplanetary ocean to push your tone beyond your normal confines, the ULTRA PHASE SHIFTER UP300 is ready to help you make a change for the strange. Trip the Phase Phantastic! With two distinctly different phase shifters built into one incredibly twisted pedal, the UP300 grants access to every conceivable shade of sonic dementia. In MODE I with the dedicated RATE and Depth dials set high, you get a warped, warbling phase shift that turns your guitar into a symphony of lysergic rubber bands. If a more traditional sound suits your mood, slip into MODE II and enjoy the blissed-out shimmer of classic rock's trippiest moments. Easy to Use Control the overall parameters of the effect with the dedicated LEVEL and RES(onance) dials. The status LED lets you know when the UP300's lucid magic is working, and a top-quality on/off switch maintains pristine signal integrity in bypass mode. Power it with either our PSU-SB DC power supply (n USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

OVERVIEW Mono-channel tube preamp with natural warmth. The Alesis MicTube Solo preamplifier will add a warm, vintage tone to any of your microphone or instrument sources. Ideal for any recording or live setup, the MicTube Solo features an easy-to-use control layout and one of the most classic sounding, lowest-noise vacuum tubes: the legendary 12AX7. Aside from the tube, the MicTube Solo features a minimized circuit path, so it preserves the essence of the signal coming from the microphone faithfully. The MicTube raises the level of any mic up to line level, adding as much or as little of the tube' signature sound as you like. Two knobs and four buttons are all you need to optimize the MicTube Solo for virtually any setting. You™ll find a -20 dB pad switch for mics with hotter outputs or louder sound sources. A phase reverse switch helps you optimize multi-mic setups, and the MicTube Solo also provides +48 volt phantom power for any condenser microphone, plus an 80Hz high-pass filter. In additional to a standard 3-pin XLR jack for microphones, the MicTube Solo also gives you a 1/4", high-impedance DI jack for in plugging guitars and basses. Separate Gain and Drive (œvintage) controls allow you to dial in the perfect blend of level and tone, and a vintage-style VU meter is perfect for keeping an eye on things. Professional XLR and 1/4" outputs complete the professional package. FEATURES Tube microphone preamplifier 12AX7 low-noise vacuum tube adds warmth and musicality to digital recordings +20 dB Pad, phase reverse, and 80Hz high-pass filter Minimized signal path for clarity 48V Phantom Power for condenser mics Gain and Drive controls Vintage-style VU meter Quarter-inch, high-impedance DI input for instruments Warm-up your tone with the MicTube Solo. SPECIFICATIONS General Preamp bandwidth: 20 Hz 50 KHz / +2 dB ¢ Channels: One ¢ THD+Noise: 0.05% @ Gain +0 dBu (A-Weighting) Performance Output level (max): +22 dBu ¢ Noise floor: -88 dBu (+2 dBu) ¢ Signal to noise: >108 dBu Input Connectors: XLR and 1/4" ¢ Input impedance, XLR: 1.3 KÎ ¢ Input impedance, 1/4": 1 MÎ Output Output impedance, XLR: 51 Î ¢ Output impedance, 1/4": 51 Î Metering VU meter: -20 dBu +5 dBu ¢ Clip LED: +20 dBu Power supply 18v AC, 1000mA ¢ Peak inrush current: 978 mA Physical Weight: 0.7 kg (1.5 lbs) ¢ Size: 1U Rack Dimensions: 210mm 93mm 44mm (8.3 x 3.7 x 1.7) USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta