Baquetero and more

Baquetero Zildjian original usado. Perfecto estado. Baquetas Zildjian 5B y 5A originales nuevas. Silla de barista maxtone, usada perfecto estado. Se reciben verdes solo en Maracay Edo. Aragua, todo por 50 VERDES Para pagos en bolívares, se trabaja con los bancos, Banesco, provincial y Venezuela. Envíos a nivel nacional CON COBRO A DESTINO y adicional a eso deberá cancelar para el embalaje de los artículos. Realice todas sus preguntas antes de ofertar, el comprador dispone de TRES días para concretar la compra de lo contrario será calificado negativo.

Two great pedals in a single stompbox. The GT-500 Effects Pedal from Fulltone is a discrete FET Hi-Gain Distortion and Overdrive Booster in one box. You could think of them as 2 separate pedals, or think of them as stages to be linked together for endless combinations. The Hi-Gain side has Volume, Distortion knobs, Bass, Mid, and Highs minipots. Its Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. Hard-clipped distortion-the way most guitar pedals achieve distortion-at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amplike, and has ridiculous amounts of sustain even at low volume. It does the great chunky low-string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The Fulltone GT500 contains 9 FETs, 2 Mosfets, and 1 Transistor with no opamps or clipping diodes used. What's special about the EQ? The Hi-Gain side has a discrete Inductor-Driven Midrange circuit-never been done in a pedal before. There's a wah-wah inductor inside the pedal that gives the Midrange control its ability to drastically increase or decrease the entire Low Mid, Mid, and Hi-Mid frequencies, to comical proportions. All this is done without any opamps-this has 100% discrete matched FETs. This Mid control mixed with a strong Bass and Treble control help give the Fulltone GT-500 the ability to dial in more variations than a simple tone control, which can only roll off the Highs. The Series Select Switch allows you to choose which pedal comes first (allowing you to instantly change the order of the 2 circuits). For example: A clean boost slamming into the front end a Distortion sounds way different than a Distortion followed by the clean boost, and when the EQs of the respective sides come into play, it's a wide-open canvas. Regardless of which side of the effects pedal is designated as first in line, you can still use each side by itself, completely independent of the other side. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

REMATO APROVECHA HACER TODAS LAS PREGUNTAS NECESARIAS Manfrotto 085BS (boom o jirafa - como quieras llamarlo) NEGRO A estrenar, en paquete original, SELLADO, totalmente NUEVO Para modificadores pesados, fotografia y cine. precio norteños, haga todas las preguntas antes de ofertar. Weight 16.28 kg Maximum Height 280 cm Boom Max Extension 10 cm Load Capacity At Maximum Extension 6 kg Closed Length 100 cm Boom Min Extension 250 cm The sections of the Manfrotto 085BS Heavy-Duty Boom and Stand may be used individually, or with all the sections fitted and locked together. This stand has a black-painted steel construction, with wheels and a locking counterweight. The stand section supports light fixture loads up to 66 lb, to a maximum height of 7'. The boom supports loads up to 15 lb fully extended. The old Bogen catalog numbers associated with this item are 3119 (boom), and 3071B (stand). Double leg bracing provides extra stability, giving the stand more strength Fitted with a universal mount with 1-1/8" socket, plus either a 5/8" in socket, or pop-up 5/8" in spigot ESPECIFICACIONES Manfrotto 085BS Minimum Height 46.4" (117.9 cm) Maximum Height Stand: 7.0' (2.2 m) Boom Length: 9.0' (2.7 m) Closed Length 45.7" (116.1 cm) Footprint Diameter 46.4" (117.9 cm) Weight Stand and Boom: 36.1 lb (16.4 kg) Maximum Load With Boom Extended: 15 lb (6.8 kg) Attachment Size 5/8" (1.6 cm) stud and 1-1/8" (2.8 cm) female receiver Accepts Wheels Yes, included Air Cushioned No Packaging Info Package Weight 46 lb Box Dimensions (LxWxH) 58 x 7 x 7"

Autoflash Speedlite compatible with Canon EOS SLR cameras Accurate exposure with E-TTL II evaluative flash metering High output with maximum guide number 58 at 105mm setting Autozoom and color temperature information for improved flash Fully featured wireless flash capability with built-in slave and transmitter Product description A powerful flash with a maximum guide number of 58/191 at ISO 100 in meters/feet (at 105mm focal length), This Speedlite replaces the 550EX and features faster recycling, more consistent color and enhanced controls The Speedlite 580EX flash is compatible with Canon's E-TTL II (Evaluative Through The Lens) auto exposure technology. When combined with a compatible Canon camera, E-TTL II utilizes subject distance and other information that automatically modifies flash power, resulting in accurate flash exposure regardless of subject size, reflectance, or photographic composition. The Speedlite 580EX flash is compatible with all film and digital EOS cameras as well as G-series and Pro-1 PowerShot digital cameras. The flash includes two features especially for digital photography. EOS 20D and EOS-1D Mark II** digital SLR users will especially appreciate the Speedlite 580EX flash's ability to auto-compensate for the size of the CMOS sensor, and zoom the flash head automatically to match the effective focal length conversion. This feature allows the Speedlite 580EX flash to maximize the efficiency of its light distribution and produce more flashes from a set of batteries. When used with the EOS 20D or 1D Mark II** digital SLR cameras, the flash and camera communicate to make fine adjustments to auto white balance by electronically monitoring the charge level of the batteries and the duration of each flash burst, resulting in consistently accurate color for every sh Note: The Canon Speedlite 550EX Flash has been replaced by the Canon Speedlite 580EX Flash. The built-in flash on Canon's Prosumer DSLR lines is generally considered inadequate for most serious purposes. The Canon accessory flashes such as the Canon Speedlite 550EX Flash are much more versatile and powerful. The 550EX gets the light far above the lens (prevents half-moon shadows in your pictures) and does a much better job preventing the red-eye effect. The 550EX allows bouncing the flash off of a standard height ceiling or off of other reflectors such as white walls, white foamcore, Photoflex and other commercial reflectors,... The 550EX also allows the use of light softening and modifying accessories such as the Lumiquest Big Bounce, the Lumiquest Softbox, and the Sto-Fen Omnibounce. Another benefit of Canon's accessory flashes is that they significantly help focusing on many EOS cameras. A pattern of the focus assist light projected by the flash helps the camera focus faster and more accurately - even on a low contrast surface such as a white wall. The focus assist feature can make or break a shot in low light situations! The Canon Speedlite 550EX Flash is the largest and second most powerful of the Canon general purpose flashes.

///VALOR:100 del Norte/// This is a versatile pedal, and as you have already guessed, it's based on the Tube screamer. However, it offers an amazing amount of features in addition to the TS format, therefore supplying much more sonic diversity than its forerunner. The heart of this pedal lies in the 3-position toggle switch that selects the style of clipping: A-Asymmetrical; L-LED; S-Symmetrical. In the initial trial I found myself gravitating toward the LED setting, as this offered more crunch with an open, natural sounding drive (amp-like). However, inside the unit there is a trim-pot for controlling the level of compression on the A & S modes. I've yet to adjust this pot, but I feel it may be necessary as there is an inordinate drop in volume in the A & S modes when compared to the LED. A further trim-pot adjusts the treble cutoff frequency for the tone control and there is yet another to control the brightness of the LED indicator. On the face of the unit there are 'Filter' and 'Fat' mini pots. Using a Strat into a DRRI, I found no need to adjust the filter ('post-gain treble response') and when I tried, it merely served to 'blanket' the sound. I can see where this may be useful with a brighter rig such as an AC15 perhaps, but it wasn't required in the test setup. The 'Fat' control affects the 'pre-gain & bass response' and I set this to approximately 9:00 in order to tame the edginess of the sound. I did experience some background hiss when using this unit at higher gain settings, but no more than expected in this situation. I've heard worse from more expensive and more acclaimed pedals than the VFE.

BATERIA ELECTRONICA ALESIS DM10 X KIT. (1.200 $$) Incluye: -1 Redoblante Pad de 12 Pulgadas. -1 tom Pad de 8 pulgadas. -1 tom Pad de 10 pulgadas. -2 granaderos Pads de 12 pulgadas. -1 Bombo Pad de 10 pulgadas. con su base. -1 Plato Hi-hat de 12 pulgadas con control por pedal. (pedal incluido) con su paral. -1 Plato Ride de 16 pulgadas (triple zona) con su paral. -2 Platos Crash de 14 pulgadas (doble zona) con sus parales. -1 Modulo DM10. -1 Juego de cables. -Manuales e Instrucciones de usuario. -Rack Cromado con todos sus accesorios de sujecion. !!ADICIONALMENTE INCLUIDOS EN LA VENTA!!: -1 Alfombra. -1 Silla de bateria. -1 Doble Pedal Tama Iron Cobra hp900 Power glide. -1 Par de Baquetas. Serious sizes, serious sound, and our finest hardware yet. The DM10 X Kit is a premium six-piece professional electronic drum set with 10" and 12" drum pads, 12", 14", and 16" cymbals, the top-of-the-line DM10 module and the best-in-class chrome-plated XRack. With an advanced sequencer and more than 1,000 sounds featuring Dynamic Articulation™ multi-sample technology, the DM10 X Kit will bring you professional capability in a kit that sounds as good as it looks. SERIOUS SETUP With the DM10 X Kit we've included a comprehensive set of large drum and cymbal pads, and an all-new XRack. The DM10 X Kit is designed to offer capabilities and features previously only available on kits costing thousands more. The DM10 X Kit features an expansive six-drum, four-cymbal configuration with sizes and spatial relationships that will feel natural to acoustic and electronic drummers alike: a 12-inch snare, two 10-inch toms, two 12-inch floor toms, a 12-inch hi-hat, a 16-inch, three-zone ride cymbal and two 14-inch crash cymbals. SERIOUS SUPPORT Designed with an emphasis on performance and adaptability, the DM10 X Kit’s all-new XRack is rugged, chrome-plated and features an ultra-solid four-post design. New Alesis quick-release clamps secure each pad in place and allow you to rearrange your setup in seconds without tools and without having to the rack apart. A few turns of a T-bolt is all it takes to release a clamp and move a pad. The DM10 X Kit’s snare pad comes with a separate, fully adjustable snare stand that allows you to place the snare pad precisely where you want it. SERIOUS SURFACES The DM10 X Kit also features Alesis’ acoustic-feeling RealHead pads in 10 and 12-inch sizes. The dual-zone pads feature real mylar drumheads and real triple-flanged counterhoops for the feel you demand. The snare and tom pads are dual zone, enabling you to perform rimshots, rim clicks or assign other sounds such as cymbals, gongs and cowbells on the tom rims. You can use virtually any single or double kick pedal with the RealHead Kick Pad, or split the DM10's kick input with a Y-cable and connect an optional second kick pad for the pedal feel you prefer. SERIOUS SMARTS At the core of the DM10 X Kit is the groundbreaking Alesis DM10 module. The DM10 hosts a built-in sequencer, metronome, top-panel mixer, and a variety of outputs. It also includes more than 1,000 uncompressed, sample-based sounds that were produced using Alesis’ proprietary Dynamic Articulation™ multi-sample technology. Not only does the DM10 deliver lightning-fast, uber-accurate tracking, the widest dynamic range of any module, incredibly drummer-friendly operation, a massive input section, but it also has the most realistic, natural sound set available in any drum module. Dig deeper into the DM10 module you'll find some of the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers' go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and a choice selection of classic drum machine and electronic percussion sounds that have fueled the biggest hit records. SERIOUS SAMPLES Discerning ears will notice that each sound is actually a series of different samples; multiple dynamic-level samples and articulations are all built in so as you play harder and softer, the drum or cymbal changes its timbre, not just its volume. This engineered realism is known as Dynamic Articulation™, an Alesis exclusive. You can play with or without reverb for different room sounds and enjoy a wide variety of rimshots, rim clicks and different stick-placement sounds on the cymbals. For example, a hi-hat’s sound depends on a number of factors: how open or closed the pedal is, how hard it is struck, and other variables resulting in 40 different sounds – plus foot chick and heel splash. Put simply, the DM10 X Kit has the most generous drum and cymbal pad configuration we’ve ever offered.

It might first interest you to know that the most common piece of outboard gear being used by our subscribers is Yamaha's SPX90. Needless to say, since the SPX90 was first introduced, many other manufacturers have responded with more powerful processors, processors with simultaneous effects, 16-bit processing, and more. The SPX1000 is Yamaha's answer to the competition. It is a very healthy processor, and one we're likely to see popping up in studios everywhere for some time. Most obvious of the features are extended sample time (5.8 seconds), true stereo processing, and simultaneous multiple effects. The long sample time translates into added features in many of the programs. In the FREEZE programs (the digital sampling programs), you have a maximum recording time of 5.8 seconds. Three types of FREEZE programs are available, and all three programs allow recording and overdubbing with variable playback pitch. Sample start and end points can be set for editing purposes. This function also makes it possible to set a start point at the end of the sample and the end point at the start of the sample and get the sample to play backwards. FREEZE 2 adds the ability to set a loop point in your sample for looped playback. FREEZE 3 is a stereo sampling program. Sample time is cut in half (2.9 seconds) to accommodate simultaneous sampling of both left and right channels. The extended sample time also affects the DELAY L,C,R program. This delay is a little different from most in that it includes a third channel, the center channel. Delay time for each channel is adjustable from.1 milliseconds to 5.2 seconds. There are two feedback delay parameters for this program, each adjustable up to 5.2 seconds. Each feedback delay has a gain control to set the amount of repeats to follow the initial repeat. All these parameters make for an exceptional delay program with numerous possibilities for special effects. The STEREO ECHO program also takes advantage of the extended sample time and offers left and right channel feedback delays of up to 2.6 seconds along with an initial delay for each channel of up to 2.6 seconds. The reverb programs include HALL, ROOM, VOCAL, PLATE, ECHO ROOM, GATE REVERB, REVERSE GATE, and 3 EARLY REFLECTION programs. There is more than enough diversity in these reverb programs to handle any reverb need. Reverb time can be adjusted as high at 480 seconds. That's 480 seconds, not milliseconds! Various other parameters give you ample control over reverb characteristics. All bases are covered in the reverb section. Modulation programs include your basic STEREO FLANGE, CHORUS, STEREO PHASING, TREMOLO, and SYMPHONIC. These are all very good sounding programs, each with a number of adjustable parameters for modifying the effect. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Boss DD-20 Giga Delay Digital Delay Pedal Digital Delay Pedal with 11 Delay Modes and up to 23 Seconds of Delay Up to 23 Seconds of Delay! The BOSS DD-20 Giga Delay offers more user memory and the longest delay of any effect pedal: up to 23 seconds! Delay time can be quickly set using the push-button knob or via tap tempo. With a choice of 11 modes, including new Smooth and Twist modes and sound-on-sound recording, the DD-20 Twin Pedal raises the bar for delay effects. BOSS DD-20 Giga Delay at a Glance: 23 seconds of pro-quality delay New Smooth and Twist modes 23 seconds of pro-quality delay With up to 23 seconds of delay, the DD-20 easily outshines the competition and can even double as a sound-on-sound pedal. Delay time can be adjusted via tap tempo or using a knob, which also features a push function to set the delay range more quickly. The DD-20 provides 11 delay modes covering everything from analog and tape delay to reverse delay and more. The DD-20's Memory function makes it possible to change delay modes seamlessly. New Smooth and Twist modes The DD-20 also introduces two all-new delay effects that are sure to blow some minds. Twist creates wild delay effects similar to the over-the-top manipulation of an analog tape echo, while Smooth creates ultra-smooth delay effects. The BOSS DD-20 is a pedal no guitarist should be without! BOSS DD-20 Giga Delay Features: Up to 23 seconds of delay 11 delay modes including classic tape delay and sound-on-sound recording New Smooth and Twist modes for subtle or radical delay effects Memory function for changing delay modes seamlessly New push-button knob for setting delay time in fine or coarse adjustments USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Sintetizador M-Audio Venom como nuevo Muy poco uso En su caja con todos sus accesorios 250 VERDES Trabajo con Banco Mercantil al promedio y/o zelle en verdes NO ACEPTO EFECTIVO DE NINGUNA MONEDA Entrega en persona en la estacion metro Chacao y La California Se realizan envios siempre y cuando el comprador asuma el riesgo que ello implica MAS DE DIEZ AÑOS COMO MIEMBRO DE MERCADO LIBRE CON 99.9% DE REPUTACION POSITIVA EN MAS DE 300 TRANSACCIONES DE COMPRA VENTA SIN EMBARGO POR POCA ACTIVIDAD RECIENTE NO SE VE REFLEJADA EN LA REPUTACION cualquier duda pregunte con confianza Descripcion y especificaciones en ingles: 12-Voice Virtual Analog Synthesizer M-Audio Venom The M-Audio Venom 49-key synthesizer from Avid combines the character of classic analog synths with modern digital processing to deliver an aggressive, infectious new sound. Whet your appetite with the included presets, and then sink your teeth into creating original sounds—from atmospheric and subtle, to angry and downright nasty. Easily tweak parameters from the intuitive top-panel interface, or explore endless sound design and configuration possibilities with the included software editor. Perform bass lines, leads, and more with a full-size keyboard designed to satisfy serious players. You can even use Venom as an audio interface with Pro Tools and other music software—forming a powerful production machine to take your music in dangerous new directions. M-AUDIO VENOM AT A GLANCE Unique, aggressive new sound—combines the warmth of vintage keyboards with modern digital processing to deliver a fresh sonic signature Start playing right out of the box—includes 512 single-sound patches and 256 layered patches Endless sound design possibilities—use the intuitive real-time performance controls plus software editor to sculpt your sound Great playability—features a 49-key, full-size, synth-action keyboard 4 multitimbral parts—easily perform multi-part sequences that include drums, bass, synth parts, and more Ready for the stage and studio—Pro Tools compatible USB audio/MIDI interface means you can use the studio-standard DAW platform with Venom Top Features Venom offers a unique, aggressive sound that stands apart from the pack and is sure to inspire creativity. It combines intuitive hands-on controls with a comprehensive feature set—forming a powerful synth that will help you take music in wild new directions. Top features include: 49-key, full-size, synth-action keyboard 12-voice polyphony, each voice including: 3 oscillators with 41 waveforms and 53 drum sounds sampled from vintage analog synths, FM digital synths, and drum machines Pulse-width modulation, sync, FM, and ring modulation Resonant multimode filter with tube saturation limiting > 12 dB/octave (2-pole) low pass > 12 dB/octave (2-pole) band pass > 12 dB/octave (2-pole) high pass > 24 dB/octave (4-pole) low pass > 24 dB/octave (4-pole) band pass 24 dB/octave (4-pole) high pass 3 LFOs with selectable sample-and-hold 3 AHDSR envelopes 16 modulation routes 4-part multitimbral operation with independent MIDI-syncable phrase sequencers 512 onboard Single patches 256 onboard Multi (layered) patches 2 global bus effects Reverb, Delay, Chorus, Flanger, Phaser 1 insert effect per multitimbral part (4 total) Compression, EQ, Distortion, Bit Reduction, Decimation Classic arpeggiator with up, down, and alternating patterns Tap-tempo and manual BPM control from top panel Built-in USB 2.0 audio/MIDI interface (USB 1.1 backward compatible) 2 x 2 24-bit, 44.1 kHz operation Mic, instrument, and stereo line level inputs route to DAW Synth sounds route to DAW DAW audio output mixes into main outputs Stereo main audio outputs (1/4" TS) Stereo headphone output (1/4" TRS) Master volume knob; instrument and mic gain knobs MIDI In and MIDI Out (5-pin DIN) Large custom LCD 4 rotary encoders and 1 button for performance control and editing Dual-function octave up/down and transpose controls Assignable pitch bend and modulation wheels Sustain (1/4" TS) and expression (1/4" TRS) pedal inputs Included Vyzex Venom software editor Arrange sounds into banks, rename patches, and save backups Patch collider feature mashes up multiple patches to create new hybrid sounds 16-cell modulation matrix offers comprehensive routing configurations We're Avid From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listening to, most watched, and most loved media in the world. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen. The personal audio and video treasures that people make at home to preserve their favorite moments in life. Our innovative digital audio and video solutions continue to revolutionize the art of creative storytelling, and have earned us hundreds of awards, including two Oscar statuettes, a Grammy, and 14 Emmys. Minimum System Requirements Windows / PC Venom Audio/MIDI USB Driver Windows XP 32-bit (SP3)*, Windows Vista 32/64 (SP2), or Windows 7 32/64 1.8 GHz** multi-core processor Vyzex Venom Editor/Librarian Windows XP, Vista, or Windows 7 P4 equivalent processor 32-bit color graphics 1024x800 or larger display Mac Venom Audio/MIDI USB Driver Mac OS X 10.5.8 or 10.6.2 1.8 GHz* multi-core processor Vyzex Venom Editor/Librarian OS X 10.4, 10.5, or 10.6 PowerPC G5 or Intel processor 1024x800 or larger display * Home and Professional Edition only. Windows Media Center Edition is not supported. ** CPU may be higher for laptops. Avid suggests you also check the minimum system requirements for your software, as they may be greater than the above. Compatibility MME ASIO Core Audio / Core MIDI Compatible with Pro Tools M-Powered 8 or higher Compatible with Pro Tools 9 or higher Specifications Line Outputs* Max output level +6 dBV SNR and DF -99 dB / 99 dB THD+N +/- 0.2 dB Crosstalk 90 dB Line Inputs Max. input level 2.1 dBV SNR and DR -96dB / 96 dB THD+N -89 dB Frequency response +/- 0.2 dB Crosstalk -90 dB Headphone Outputs (into 32R)* Max output power 33 mW @ -88 THD SNR and DR -98 dB / 98 dB Frequency response +/- 0.2dB Crosstalk -60 dB Microphone Input at Min. Gain, No Pad (unless noted differently) Max. input level -2.2 dBu SNR -96 dB -75 dB DR 96 dB 75 dB THD+N -89 dB Frequency response +/- 0.2 dB Gain range 35 dB Input impedance 5.0k ohms Phantom power N/A Instrument Input at Min. Gain, No Pad (unless noted differently) Max. input level +10 dB -95 dB DR 95 dB 83 dB THD+N -88 dB Frequency response +/- 0.2 dB Gain range 35 dB Input impedance 1M ohms * This device is capable of outputting +12 dBV on the line outputs and 66 mW on the headphones. At these levels, the output noise performance will increase by 6dB. The rated output specs (+6 dBV, 33 mW) reflect what is capable with only USB as the source..

The Genos 76-Key Arranger Workstation Keyboard from Yamaha is a performance and studio instrument that combines tone generation technology with powerful digital electronics. It can be used to create a wide variety sounds with musical versatility for musicians, songwriters, engineers, sound designers, and more. Yamaha Genos 76-Key Arranger Workstation Keyboard musical break 2 x music rest stands AC Power Cord 1 year limited warranty Contact us if you want the price and more details about the instrument...we also offer you much discount on the keyboard...the instruments are cheap. Gmail: kobyrohu@gmail.com MSN: kobyrohu@outlook.com WHATSAPPCHAT:+1 403 483 3940

Compatibility The JBL On Stage 200ID loudspeaker system is compatible with docking versions of the iPod, including the iPod touch, iPod nano 3G, and the iPhone. A stereo mini jack connection also allows you to enjoy high-quality audio from a variety of other devices such as MP3 and CD players, desktop computers (all platforms), satellite radios, and laptops. Specific dockable iPod compatibility: iPod mini 1G; iPod nano 1G, 2G, 3G; iPod 3G, 4G, 5G, 5.5G, 6G; iPod touch; iPhone. Easy-to-Use Music and Navigation Controls Just a touch of the music controls increases or decreases the volume. Using the navigation controls, browse songs, playlists, and photos; change tracks and settings; and more. With the JBL On Stage 200ID remote, you have complete control of your iPod, as if it were in your hand. Connection Versatility The JBL On Stage 200ID system is a multimedia focal point. Enjoy your iPod, view photos or videos, and listen to virtually any other auxiliary audio component, all through the JBL On Stage 200ID loudspeaker dock. Digital Power and DSP The system features a powerfully tuned digital audio path. The clean and compact digital amplification, coupled with DSP (digital signal processing) equalization, efficiently provides the transducers with cool-running power. Additional Features Smart remote--The Smart remote has several modes of operation. The Music mode allows you to control the volume, change tracks, fast forward, and fast reverse. The Navigation mode allows you to navigate menus for your iPod, just as if you were controlling the iPod itself. You can access your music, view your slideshows, and find and play your videos. Evercharge topology--The JBL On Stage 200ID system charges your iPod or iPhone, even when it's not connected to a computer or if the system is off. Advanced Technology The JBL On Stage 200ID loudspeaker dock combines many proprietary technologies for the highest-quality sound, offering astonishing bass and clear audio from any direction. - NO COMPRE IMITACIONES !! - COMPRE ORIGINAL !!

Compatibility The JBL On Stage 200ID loudspeaker system is compatible with docking versions of the iPod, including the iPod touch, iPod nano 3G, and the iPhone. A stereo mini jack connection also allows you to enjoy high-quality audio from a variety of other devices such as MP3 and CD players, desktop computers (all platforms), satellite radios, and laptops. Specific dockable iPod compatibility: iPod mini 1G; iPod nano 1G, 2G, 3G; iPod 3G, 4G, 5G, 5.5G, 6G; iPod touch; iPhone. Easy-to-Use Music and Navigation Controls Just a touch of the music controls increases or decreases the volume. Using the navigation controls, browse songs, playlists, and photos; change tracks and settings; and more. With the JBL On Stage 200ID remote, you have complete control of your iPod, as if it were in your hand. Connection Versatility The JBL On Stage 200ID system is a multimedia focal point. Enjoy your iPod, view photos or videos, and listen to virtually any other auxiliary audio component, all through the JBL On Stage 200ID loudspeaker dock. Digital Power and DSP The system features a powerfully tuned digital audio path. The clean and compact digital amplification, coupled with DSP (digital signal processing) equalization, efficiently provides the transducers with cool-running power. Additional Features Smart remote--The Smart remote has several modes of operation. The Music mode allows you to control the volume, change tracks, fast forward, and fast reverse. The Navigation mode allows you to navigate menus for your iPod, just as if you were controlling the iPod itself. You can access your music, view your slideshows, and find and play your videos. Evercharge topology--The JBL On Stage 200ID system charges your iPod or iPhone, even when it's not connected to a computer or if the system is off. Advanced Technology The JBL On Stage 200ID loudspeaker dock combines many proprietary technologies for the highest-quality sound, offering astonishing bass and clear audio from any direction. - NO COMPRE IMITACIONES !! - COMPRE ORIGINAL !! - 30 TRUMPS O SU EQUIVALENTE AL DIA

Get the most from your Line 6 amp and POD with FBV Shortboard Mk1 foot controller! FBV Shortboard Mk1 isn’t your average foot controller. It’s a full-on remote control that keeps you at the foot of the stage instead of tied to the front of your Line 6 amp or POD. It offers all the classic advantages you expect from a Line 6 foot controller, including rock-solid channel switches, a rugged wah/volume pedal and an oversized backlit display, but it’s also full of surprises. The steel footswitches give you total control over your tone. Dedicated footswitches let you change, scroll and select presets with uncompromised speed, add or remove effects in an instant, synchronize all your time-based effects with Tap Tempo, and more! Load up to 64 presets in the 4 banks. Adding individual or simultaneous effects on top of each preset allows for on-the-fly colorization and customization of your tones. An added bonus: the well-spaced footswitches are conveniently laid out so that you’re not stepping on two at once (unless you want to)! The burly, full-sized pedal feels solid under your foot and features plenty of grip. Click the toe to volley back and forth between volume and wah-wah control. (Adding an expression pedal provides dedicated volume control.) Oversized and backlit, the LCD is big, bright and easy to read. It shows you everything you need to know including preset. FBV Shortboard Mk1 also features a USB jack that can be used for upgrading the firmware. Perfectly paired with Spider IV FBV Shortboard Mk1 provides complete, hands-free control of the looper, pitch-shifter and other on-board effects. FBV Shortboard Mk1 is compatible with most Line 6 amplifiers and POD processors. Compatible With: Spider Valve, Spider Valve MKII, Spider II, Spider III, Spider Jam, Spider IV, Flextone III, Vetta, Vetta II, HD147, POD 2.0, POD XT, POD XT Pro, POD X3, POD X3 Pro, Bass POD XT, LowDown, POD HD NOT compatible with: Ax212â„¢, Flextoneâ„¢ I, II or HD, POD® Pro, Bass POD®, Bass POD® Pro and Spider 1 *FBV Shortboard is not compatible with with Spider II 15 or Spider III 15. **FBV Shortboard is only compatible with POD 2.0 units with pedal jacks labelled "FBV Pedal." It is not compatible with older units which have pedal jacks labelled simply "Pedal." ****FBV Shortboard Mark 1 is not officially supported for Spider V, but it will not damage the amp. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO

Take full control of your drum programming. The M-Audio Trigger Finger-16 MIDI Drum Control Surface puts the power to program and perform expressive percussion and drum parts at your fingertips. Its 16 velocity and pressure-sensitive pads are perfect for playing the drum sounds in your favorite software, launching loops and samples, or even controlling video projections. Trigger Finger also gives you 8 knobs and 4 faders that are freely assignable to MIDI parameters such as volume, pan, pitch, and effects. Preprogrammed maps for Live, GM Drum, XG Drum, iDrum, and more make setup a snap, while full programmability lets you customize the unit to fit your needs. Settings are easy to store via 16 presets, and M-Audio's free Enigma librarian software for PC and Mac lets you create and store a big collection of presets. A simple USB cable is all it takes to connect and power Trigger Finger with your computer. If you've got drum tracks to program, Trigger Finger is the tool you need. Comes with Ableton Live Lite 4. FEATURES 16 velocity- and pressure-sensitive pads Individually assignable pressure on each pad 8 assignable knobs 4 assignable faders Preprogrammed maps for Live, GM Drum, XG Drum, and iDrum Powered from USB connection or optional DC power supply USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

Contact Name: El Gato Gomez MSNEmail: Elgato-gomez@outlook.com GOOGLETALK: Elgatoc561@gmail.com WHATSAPP: +1 825 994-3253 We are a large musical instrument trading company, who enjoyed good reputation for many years.all brand new models of Musical instrument such as Saxophone,Drum Set,?et,Keyboard,Guitar,Digital Piano,and many more at very cheap price with complete accessories. We can offer you a reasonable competitive prices!!!!**Note : Contact us if you want the price and more details about the instrument..we also offer you so much discount on the keyboard..the instruments are cheap. Below are few of our products. Yamaha Tyros5-76 - Arranger Workstation AC Power Cable Wireless LAN AdapterMusic Rest2 x Music Rest Bracket Owner's Manual One (1) Year Warranty ------------------------------------------------------------------------------ Pioneer DJ CDJ-2000NXS2 High-Resolution Pro-DJ Multi-Player (Black) Power Cable Audio Cable LAN CableDisc Force Eject Pin Limited 1-Year Warranty -------------------------------------------------------------------------------- Korg Pa4X ORIENTAL Professional 76-Key Arranger Keyboard AC Power Cable Music Stand Accessory Disc Limited 1-Year Warranty